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Grasses had overgrown many of the sculptures, and years of exposure
to the elements had stripped away the original colors. This project
is a great example of art restoration. Jensen Conservation not
only stabilized the materials of the pieces, but made efforts to
reestablish the original character of the site.

Above: The Fence facing
the road before treatment.
Below: Following restoration.
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Below: Rocket to the Stars after restoration.
Right: The Herman Rusch Self Portrait
on Pedestal during treatment.
Below: Detail of the bust prior to
treatment.
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Rusch used the materials immediately available to him in the creation
of his art. Automobile headlamps, house paint, stone, and concrete
went into creating the garden pieces. The house paint was matched
by microscopic examination of the few remaining original paint samples.
Twenty-seven different colors were identified.
One of the challenges facing Jensen in this restoration was the
varied conditions and consistencies of the materials used. Some
of the concrete and stone elements were becoming soft and needed
to be strengthened.
There were portions of the sculptures that needed to be reconstructed.
The cement:sand mixtures used on the mortar were variable from piece
to piece, and a detailed analysis needed to be made to ensure each
piece was faithful to Herman Rusch's original construction. Jensen
Conservation identified the type of sand used in the mortar mixtures
and found a close facsimile at a nearby lumberyard.

Many of the works had cut glass, shells and ceramics embedded into
the mortar. Some of the embedded pieces had fallen out. One of the
technicians diligently spent day after day
cutting glass to complete such pieces as the Fence at the top of
this page and the Decorative Fence shown further below.
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Below: Decorative Fence
Bottom: Hindu Temple
Both pieces before treatment.
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From August to October of 1994, Herman Rusch's sculpture garden
went through a distinct transformation. As each of the 41 pieces
was painstakingly restored, the faded garden began to come alive
with the re-introduction of color. The success of Jensen's efforts
is apparent in the before and after photos of the sculptures.
Above: Decorative Fence
After Treatment
Below: Hindu Temple
After Treatment
Another formidable task the Jensens faced was the rapid regrowth
of organic materials. Sculptures cleaned in August exhibited noticeable
regrowth by October. Therefore, a regimental maintenance schedule
of biannual cleaning was proposed. With proper maintenance, the
integrity of the sculpture garden can be more easily upheld.
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